Violence is now ingrained in dancehall music, as it is in gangsta rap, which borrowed much from Jamaican deejay styles of delivery, dubbing and “toasting”. (Dr Dre’s revered 1992 album, The Chronic, teems with Jamaican influences, even Jamaican voices.) … Jamaican dancehall in the twenty-first century seems to present black people to the world in terms the Ku Klux Klan would use: illiterate, gold-chain-wearing, sullen, combative buffoons.

Ian Thomson, “The Dead Yard: Tales of Modern Jamaica”.

About clivedav184z

Chief theatre critic for The Times. Twitter: CliveDavisUK Facebook: Instagram: clivephotos
This entry was posted in Uncategorized. Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s