LATEST TWEETS
- Thames #TuesdayMorning https://t.co/tTa0c7wA9m 55 minutes ago
- “Supporters, they mean everything to me. When I come on, on a Saturday, I feel I’m prepared to die for them.” RIP… twitter.com/i/web/status/1… 1 hour ago
- RT @JohnWilson14: Superstar songwriters selling up for millions Young songwriters forced to drive Ubers Songs are the new gold Streaming d… 11 hours ago
- RT @davidsoho1: Two years ago today my mum died. She liked daffodils so each year I plant them in all the window boxes at home and the offi… 12 hours ago
- 10 Miles Davis tracks that pianist @JonathanGeeTrio can't live without. No In A Silent Way, but Decoy makes the cut… twitter.com/i/web/status/1… 14 hours ago
- RT @TimesArts: "How much can biographers reveal about their subjects, and how much should be concealed for the sake of good taste or not hu… 14 hours ago
- Turning, Thames #MondayAfternoon https://t.co/sb4VGLAmjH 16 hours ago
- @BenDowell @crollyson @djtaylorwriter Thanks! 20 hours ago
- @crollyson @djtaylorwriter Thanks! 20 hours ago
Blogroll
- A Don's Life
- About Last Night
- Alex Massie
- Althouse
- Arun With A View
- Bernard Avishai
- Beyond The Joke
- David Hepworth
- Do The Math
- French Politics
- James Fallows
- Jessica Duchen
- John Naughton
- John Rentoul
- Liquid News Room
- London Jazz
- NY Review of Books Blog
- On An Overgrown Path
- Open Democracy
- Open Zion
- Robert Sharp
- Rod Dreher
- Ross Douthat
- South Jerusalem
- Stephen Walt
- Stumbling and Mumbling
- Superfluous Answers to Necessary Questions
- Ta-Nehisi Coates
- The Arts Desk
- The Blue Moment
Archives
- July 2020
- April 2020
- January 2020
- December 2019
- September 2019
- March 2019
- February 2019
- December 2018
- November 2018
- October 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
-
Recent Posts
Goodreads
Tag Archives: Ronnie Scott’s
Nige swings George
My review of Nigel Kennedy’s Gershwin gig at Ronnie Scott’s: Fist-bumps all round. Nigel Kennedy never disguises his pleasure at being on the same bandstand where, as a teenager, he once played alongside his mentor, Stéphane Grappelli. Nearly half a … Continue reading
Mr S.
A familiar face in the foyer at Ronnie Scott’s. The image is based on a photo by Carl Hyde. You can see more of his work here.
Less is always more
An enthralling show from Steve Gadd’s band at Ronnie Scott’s. From my Times review: When drummers are also bandleaders they tend to make a point of letting the audience know who is in charge as often as possible, courtesy of … Continue reading
Best of 2015
I’ve already posted my favourite world music, folk and jazz albums. Here are some other highlights of the year. Best experience at a gig. Sitting a few feet behind Bill Charlap at Ronnie Scott’s as he hurtled through “Cool” from … Continue reading
Posted in Art, Film, History, Music, Photography, World War 2
Tagged Bill Charlap, Donald Crowhurst, Nick Tomalin, Oliver Hirschbiegel, Oliver Sacks, Phillip Toledano, Ronnie Scott's
Leave a comment
Ornette Coleman at Ronnie Scott’s
1967. Benny Green was in the audience.